Tuesday, March 29, 2016

CONCERNED CITIZEN: COMPASSION IN EDUCATION




Throughout our many years of education, as students, we come across some of the world’s most influential, and often life changing, human beings: teachers. A good teacher has the power to make a child feel loved and wanted when they don’t feel that at home. They can enlighten a student to their own potential and show them that there is more out there than they ever dreamed possible. They can influence the way we view different cultures, different people, and different communities, and they have the potential to mold our minds for the better from a young age. We owe a lot to these good teachers, and we need more of them. We learn most of our basic human skills in the home by simply observing and mimicking the actions of our parents and siblings, but our imaginations, creativity, and social behavioral skills largely come from what we learn and experience inside the classroom. This area is a place where children should foster their own creativity and feel safe enough to begin to discover who they are as a person. In Goldbard’s article “Human Rights and Culture: From Datastan to Storyland,” we find that “…the mutual recognition, interaction, sharing and connection that can be nourished through the exercise of artistic creativity are more powerful guarantors of peace than any number of prisons, weapons systems and human rights restrictions.” What students learn inside of the classroom by teachers who truly care about their student’s success can become the most influential and effective way of providing peace between communities.
For our Concerned Citizen Project, we chose to highlight Kristin Hardester, a young second-grade teacher at Spring Creek Elementary School in Provo, Utah. Kristin has taken it upon herself to know and love her students as individuals rather than as a general diverse group, and this has made her stand out as someone who is influencing the community for the better. Spring Creek Elementary School has taken in a diverse group of children and provides help and hope to many low income families. Visiting the homes of her students, Kristin has seen the difficult circumstances in which some of her students live and has taken it upon herself to give her students what they might not get at home: someone to cheer for them. More so than just teaching these kids their numbers and their letters, Kristin places a significant emphasis on letting her students know that anything and everything is within their reach if only they work hard enough and believe in their own potential. She provides a sense of safety and security for these students who may be dealing with tough family situations, all while making sure that each child has an equal opportunity at a successful future. Kristin has excelled at going above and beyond her role as a teacher and has shown our community that sometimes loving a child is all it takes to guarantee the success of a future generation.

Monday, March 21, 2016

GAME FOR CHANGE: ALL'S FAIR IN FILMMAKING. BUT NOT REALLY...



     Being a woman has always been something that I have loved. I have never felt oppressed by others because of my gender, but only because I have never let others oppress me because of my gender. As I have slowly become more and more interested in the film industry, and have developed aspirations to be a significant part of that industry one day, I have realized that sometimes women have no choice but to feel oppressed. Because they are. Although I have never experienced this extremely real social issue, I worry that I will some day. I still remember watching the 82nd Academy Awards where Kathryn Bigelow was awarded an Oscar for Best Director for her film The Hurt Locker. Bigelow was the first-ever female director awarded with an Oscar, which had an impact on me when I was only sixteen years old. However, I didn’t realize the extent to how groundbreaking this was. I just remember thinking, “Wow, a woman won Best Director for a war movie?” The fact that I was in awe at this award is disappointing because it means that I had fallen victim to the belief that only men were acknowledged with this kind of award.
     It hasn’t been until recent years that women in the film industry have taken a stand on this injustice and demanded for more acknowledgment and equal representation. And this was much needed. A recent study conducted by the New York Film Academy showed that only 9% of all directors are female, 15% of all writers, 17% of all executive producers, and only 2% of all cinematographers. Not to mention that the combined income of the top ten highest paid actresses in 2013 was $181 million, compared to a whopping $465 million made by the top ten male actors. Furthermore, the Swedish Film Institute has brought to our attention that although people believe that there are very few competent female filmmakers, this is not true and that the many competent female filmmakers around the world are just not visible enough. Not to mention that it is a lot harder for a woman to find business partners and financiers than it is for a man. In addition, Women’s Media Center released a 10-year study of gender and Oscar nominations and found that from 2006-2015, “nominations of women accounted for just 19% of all non-acting nominations (327 women compared to 1,387 men)”.

     For my project, I wanted to portray what life in the film industry may be like for a female screenwriter if we don’t change these statistics. By having each gender choose his or her own path, we find that the male gender always comes out on top and the female gender does not get the acknowledgment or equal compensation that they deserve. It is designed in a simple format, with a simple path to follow, but this social issue does not need any sugarcoating or fluff to make a statement: men win, women lose. Every possible path in the game leads to this conclusion. Let’s hope that within the coming years, within the years that my fellow peers and I begin to step inside this industry, this social issue will no longer be an issue and that equal representation and compensation between the two genders will be implemented in all work environments.

PLAY THE GAME!



Tuesday, March 15, 2016

WORLD BUILDING: GRAVITY

What if we lived in a world where the gravitational force on Earth was variant from one day to another in the same way the weather fluctuates? After some discussion, we realized that such a world would have a lot of implications in comparison to the world we currently live in. Taking in consideration that some days the gravity would be strong enough to keep us from easily moving around, while other days it might reach such low levels that we might float around as if we were on the moon. Our buildings would have to be designed in a different way, we would dress differently to adapt to those weight shifts, and we would have perhaps new ways to exercise under such variant conditions. Most importantly, we would have to find ways to work whether those gravitational changes occurred or not.
That being said, in this world, people would be more sedentary than nomadic. On heavy days, people would stay home and work from there. Telecommuting would be extremely popular, thus, increasing the amount of people doing business online. This would force the government to put more security in the cybernetic world than real life. Law enforcements wouldn’t be as popular on the streets since most crimes would occur online. Hackers would be as common as robberies in our current world. If required, the government would have access to people’s information in order to track maleficent users. Meanwhile, hackers would constantly find new ways to bypass and avoid government's security patrols. This would create a world where people got used to being surveilled, while at the same time, not being too concerned because they would believe that they are being protected. On the other hand, some people wouldn’t agree to the idea of having limited privacy; in that case, some people would create softwares to browse the web anonymously
In Bleeker’s “Design Fiction,” he not only talks about how design fictions should create functional, interesting materials, but that the design fiction process should derive from a good story. So rather than just creating a world where the gravitational pulls shifted like the weather, we imagined what life would be like for the people who lived in this unexpected and inconsistent world. What would they live in? What kind of sports or games would they play? What was their history like and what stories would they see on the news? What would they wear?
In the same way people tend to stay at home more often during cold winters, heavy gravitational periods would require homes built specifically for those conditions.


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People would also create new activities to enjoy the perks of light gravitational days.




Since a lot of time would be spent at home, people would mainly be informed through the media.

Seeing the Good in the Gravity Shift of ‘86
By Zach Connell March 14, 2016
As we look back over years, many disastrous Gravity Shifts have interrupted our peaceful lives and for some people has ended their lives. Toady marking the 30th anniversary of the great Gravity Shift of ’86, now is the time to remember and honor the lives lost during that tragic event. Though on a more positive note, not everyone was negatively affected by the gravity shift. One couple recalls the ‘adventure’ they had that presented them the opportunity to meet and fall in love. After meeting with them, the Redfords, I have come to realize how deeply they honor and respect that day.


The morning of, Mr. Redford got in his car and drove to work. Since he works as a nurse for the hospital, he was greatly needed to help with all the injured people that were coming in. Noticing that his wheels were not getting much traction on the ground, he decided to grab the sand bags in his garage and place them in the trunk of his Toyota. After twelve 50lb bags he was finally able to get his car to rest on the ground the way it should. “I remember seeing animals, trash, and even people stuck on lamp posts and signs. They must have accidently jumped too high, or taken too big of a step that just launched them off the ground. It was really dangerous, and looking back I don’t get why I didn’t realize that I needed to be more safe” Mr. Redford remarks about his trip to work. It’s truly devastating knowing that the people who disappear on those days died as a result of floating up into the abyss.


Mrs. Redford looked out her window on the same morning and thought to herself that she would stay safely inside for the day after hearing about how light the gravity was. However, she was swayed when she saw her cat Sprinkles stuck in a tree, feet dangling above with its claws jabbed into the bark holding on for dear life. “I ran outside to desperately help my poor Sprinkles. The unfortunate thing was that I myself started to rise into the air with each step I took. I was risking my life to save my cat, probably not the smartest decision, but I would hate to see Sprinkles succumb to the weightlessness and float up to heaven. Why Sprinkles was outside in the first place I have no idea” Mrs. Redford remarked.


All of this happened as Mr. Redford was driving by. “I saw a pretty looking girl struggling to get to a tree with an almost floating cat, so naturally I had to stop.” Serendipitously for the both of them, he did stop and helped out his future love. Both individuals remarked in our interview about how fate can be a funny, and slightly ironic thing. They each saw an opportunity to make a frightening situation into a positive memory.


After listening to the story of this lovely couple, I realized how maybe everything does happen for a reason. The grass is green, Christmas comes once every year, indisputable these facts are as the gravity shifts we experience every day. The only way to get through it is to keep a happy face and move along.

Lastly, the creative designers of this world would come up with clothing that not only would allow us to adapt to the gravitational shifts but also make us worthy of a catwalk.


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The world we created needed to be more than just a fictional place with objects and weird gravitational pulls... it needed to be a world where people could build homes, enjoy leisurely time with games and sports, read about the local cat lady, or dress to impress. We collaborated as a team to combine our creative differences and create a place that we wouldn't mind living in, and I think we can all agree that a world with fluctuating gravitation pulls would always keep us on our toes. 

Written and created by Juan, Nathan, Zach, and Addison

Tuesday, March 8, 2016

WEBSPINNA BATTLE: EARTH AND SPACE

     



     How does one become the Earth? How do I embody the cultures, climates, and attitudes of a world filled with so much diversity and history? I found this task almost impossible as I attempted to discover and create my alter ego and webspinna persona of Earth. Rather than trying to embody all that the Earth entails, I chose to focus on the sounds and feelings of the natural world. The soft hum and loud crash of an Amazon rainforest taken over by a storm, the rushing water of a crackling stream, or the pounding of instruments fashioned by God’s elements. Although the natural elements comprise a large majority of what the Earth means to me, I chose to mix these sounds with the culture of the Earth’s people. I opened my performance with the introduction track of the popular show Planet Earth. The triumphant rise and climax of instruments embodies the majesty that is our planet and I felt like it was the perfect way to introduce my alter ego. Followed by the steady rhythm of the rainforest and the gentle pace of a rushing stream, these natural sounds led us into one of the world’s most iconic figures and songs: Michael Jackson’s Earth Song. Mixing the natural world with the digital world represented the two unifying worlds’ among us. I finished my battle with Toto’s Africa, a song that captures the cohesion of two juxtaposing world’s among Earth.
     While creating my alter ego, I found it strange to steal/plagiarize sounds and songs from the Internet and make them my own. Up until I read Jonathan Lethem’s article The Ecstasy of Influence, I believed that taking another person’s work and making it your own was wrong. However, Lethem argues that every form of art or artistic creation derives from a long line of triumphs by other people. It is natural for us to be inspired by the works of others and to create our own interpretations of what we see. That is how we continue to build the artistic world.

     After Hannah and I came up with our fighting alter ego’s of Earth and Space, we used our individual persona’s to create a battle that defined our locations but also worked cohesively as a unit. We used choreography to literally battle each other with fake punches and kicks to represent the struggle between Earth and Space, but ultimately ended our battle side by side to demonstrate Earth’s and Space’s reliance on each other. It was so entertaining to dress like our personas—Hannah in an all spandex “space suit”, and me in a fur vest and majestic eagle t-shirt—and to create a dichotomy between the two places that still worked together. The entire experience of creating this battle and seeing what creative personas the rest of the class came up with was in some ways entirely awkward (in the best way), but also important for us all to burst from our comfort zones and to show our creativity in a new way.

BATTLE TRACK LIST

SPACE
GRAVITY + ADVENTURE CLUB: https://youtu.be/9g4Pi2GHLkU?t=1m2s
CAN’T BE TAMED 2:29: https://youtu.be/sjSG6z_13-Q?t=3m23s

EARTH

Tuesday, March 1, 2016

TEXTUAL POACHING: "SHAKESBRO"


     I like men. It’s as simple as that. My heterosexuality is something that defines me and something that I identify with. I still remember each boy I have “liked” from kindergarten to the 12th grade, and could definitely write you out a list. I love love and that has been a significant part of my identity since I was a little girl. As I have gotten older and have become more aware of what love truly is, I have started to see qualities in others that I can’t live with and can’t live without. The physical appearances of men and women have changed throughout each generation, and along with this has come new lingo, new hairstyles and fashions, and new ideals of what is appealing at the time. My “ideal man” has changed (thankfully) since kindergarten, and continues to change along with my own personal growth. However, our pop culture has played a significant role in shaping the kind of person that we are attracted to. We see pictures and videos of celebrities that ignite an attraction and often give us unrealistic expectations when it comes to physical appearance. Something that I have come to identify with as I have gotten older is the fact that physical appearance changes and can be altered with. I have come to place less of a significance on physical appearance and more of an importance on personality traits, inner potential, and the unique, fundamental characteristics that make up an individual. 
     Anyone who knows me knows that I love William Shakespeare. It is definitely not something that I try and hide because Shakespeare has become a part of my identity the more I have read and understood his life and his works. I chose to take a very famous self-portrait of William (we are on a first name basis at this point) and remix his appearance to identify with a typical man of our current society, man-bun and all. The point of this weirdly intriguing remixed self-portrait of Shakespeare is to prove that adding a man-bun and some awful lingo (lingo I wish our generation could be punished for) to his appearance and person doesn’t change the fact that he is still William Shakespeare. If Shakespeare were alive and thriving during our time, I would not be surprised at all if he had a man-bun… I mean, look at his earring! The man had style. Despite all of these enhancements to his appearance, underneath it all he is still the most brilliant and influential writer/poet of all time. Our world has become so obsessed with physical appearance that we have sacrificed character for physical attractiveness. Being attracted to the man I choose to love is obviously important, but it is in no way more important than knowing that he is capable of loving me in return.
     In Jenkins’ “How Texts Become Real,” he quotes from the children’s story The Velveteen Rabbit and reminds us that the physical appearance of someone can be altered, but our love for something deeper within them is what truly binds us together, “It doesn’t happen all at once. You become. It takes a long time. That’s why it doesn’t often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real, you can’t be ugly, except to people who don’t understand” (Jenkins 51).